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v. 1. Johannes Brahms's Collection of Deutsche Sprichworte (German Proverbs) |
edited & translated by George S. Bozarth |
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The Brahms-Joachim Counterpoint exchange, or, Robert Clara, and "the best harmony between Jos. and Joh." |
by David Brodbeck |
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Contradictory criteria in a work of Brahms |
by Joseph Dubiel |
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From "Concertante Rondo" to "Lyric Sonata" : a commentary on Brahms's Reception of Mozart |
John Daverio |
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Brahms's Cello Sonata in F Major and its genesis : a study in half-step relations |
by Margaret Notley |
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An Unwritten metrical modulation in Brahms's intermezzo in E Minor, Op. 119, No. 2 |
by Ira Braus |
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Brahms on schopenhauer : the vier ernste Gesänge, Op. 121, and late nineteenth-century pessimism |
by Daniel Beller-Mckenna |
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v. 2. Editing Brahms's music |
by George S. Bozarth |
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Brahms's motet "Es ist das Heil uns kommen her" and the "Innermost essence of music" |
by Daniel Beller-McKenna |
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"Als wahres volles Menschenbild" : Brahms's Rinaldo and autobiographical allusion |
by Carol A. Hess |
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Hugo Wolf and the reception of Brahms's lieder |
by Heather Platt |
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"Echt symphonisch" : on the historical context of Brahms's symphonies |
by Walter Frisch |
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Allusive irony in Brahms's Fourth symphony |
by Kenneth Hull |
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Brahms and the Neapolitan complex : ♭II, ♭VI, and their multiple functions in the first movement of the F-Minor clarinet sonata |
by Peter H. Smith |
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Brahms's Mendelssohn |
by David Brodbeck |
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v. 3. Max Kalbeck : excerpts from the diary of 1897 |
translated and edited by Sandra McColl |
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The Alto Rhapsody : psychology, intertextuality, and Brahms's artistic development |
by James Webster |
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Brahms's Variations on a Hungarian Song, op. 21, no. 2 : "Betrachte dann die Beethovenschen und, wenn Du sillst, meine" |
by William Horne |
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Utopian agendas : variation, allusion, and referential meaning in Brahms's symphonies |
by Raymond Knapp |
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Brahms and the shifting barline : metric displacement and formal process in the trios with wind instruments |
by Peter H. Smith |
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Themes of Nostalgia and critique in Weimar-Era Brahms reception |
by Michael von der Linn |
|
v. 1. Johannes Brahms's Collection of Deutsche Sprichworte (German Proverbs) |
edited & translated by George S. Bozarth |
|
The Brahms-Joachim Counterpoint exchange, or, Robert Clara, and "the best harmony between Jos. and Joh." |
by David Brodbeck |
|
Contradictory criteria in a work of Brahms |
by Joseph Dubiel |
図書
ＡＶ
その他
楽譜
